says Greywolf Press poet Fred Marchant. “Start to finish, these poems convey
a singular vision and represent an important new voice in the international poetry arena.” In her new Three Rooms Press book Atrium, Alyan traces lines of global issues in personal spaces with fervently original imagery. Reviewer Alex Rowell, in Now Lebanon notes, “Atrium is, in fact, a formidable volume: irreverent, clever, hyper-erudite and laugh-out-loud funny, with moments of arresting darkness and disturbing intensity to boot. Whether it’s Greek mythology, nightclub culture, obscene sex acts or Beirut, there is scarcely one subject in these 88 pages to which Alyan doesn’t bring fierce originality, feeling and flair.”
impactful delivery of her work. On the page, her work is even more astonishing. In her new Three Rooms Press book, Welcome to the Museum of Cattle, she is absolutely fearless, in both subject matter and style, as she explores films, life and innocence with a totally original and exciting language. Says Daniel Yaryan, producer of San Francisco’s “Sparring with Beatnik Ghosts series, “Her signature style is beyond belief—moving lightspeed with an astoundingly unique beat and the ability to communicate with complete command of language.” London-based artist Daniel Sturgis adds that her poems and performance, “sublimely acknowledge the entwined traditions of Dada and early modernist poetry, the gendered and transgressive literary punk of Kathy Acker and Patti Smith, and low-fi dub rant."