I've read the play 100 times, seen the 1973 filmed version with Paul Rodgers, Vivian Merchant, Ian Holm 25 times, and directed a solo version of it at San Francisco's sorely-missed Marilyn Monroe Memorial Theater. Yet seeing this version was fresh, exciting and a real treat.
Even brought along a couple of Pinter neophytes, to balance my extremely-biased favorable opinion of it. At intermission, one friend leaned over, puzzled, and asked, "This is really your favorite play?" By the end of Act 2, when all hell had broken loose, and all preconceived expectations were eclipsed, she was extremely moved herself, and kept thinking about the play for (so far) days.
Read the review. Buy tickets. Go. It's just that simple. It's the most positive, glowing review Ben Brantley has written for a while, and it's well deserved, for a stunning 40 year old.
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