Showing posts with label Robert Hieger. Show all posts
Showing posts with label Robert Hieger. Show all posts

Sunday, June 15, 2014

6/21: LA-Di-DADA!! 2nd Annual Los Angeles Dada Festival at Beyond Baroque


Join Three Rooms Press on the West Coast as we present ¡LA DI DADA!, A Highly Eclectic Performance Event Hell-Bent on Blowing Minds, plus the official West Coast launch of Maintenant 8: Journal of Contemporary Dada Writing and Art! Saturday, June 21, 2013, 3:30-6:00 pm at Beyond Baroque Literary Arts Center, 681 Venice Bl. Venice, CA 90291
, Phone 1-310-822-3006.

Prepare for an afternoon of incredibly provocative, eclectic art and performance on as Three Rooms Press presents ¡LA DI DADA! a wild ride of contemporary DaDa performance and poetry by leading maverick artists.

The event includes the West Coast launch of the internationally-renowned Maintenant 8: Journal of Contemporary DaDa Writing and Art (2014, Three Rooms Press), which features more than 100 visual and literary works by artists and writers worldwide. The event takes place Saturday, June 21, 3:30-6 pm at Beyond Baroque Literary Arts Center in Venice. Costumes encouraged.

Featured performers include performance artist-musician Exene Cervenka (X, The Knitters), famed playwright-poet Doug Knott (Last of the Knotts), performance poet extraordinaire Linda J. Albertano, award-winning Los Angeles poet-performer Laurel Ann Bogen, LA Dada founders Mike M. Mollett and Neal Skooter Taylor, DadaNY founders Joanie Hieger Fritz Zosike and Robert Hieger, and New York-based British/American performance poet Jane Ormerod. Additional performers include poet-playwright Jan Michael Alejandro, LA-based poet/storyteller Marie Lecrivain, Fluxus artist Bibiana Padilla Maltos and poet-performer Christian Georgescu. Three Rooms Press co-directors and New York-based performance artists Peter Carlaftes and Kat Georges will host.

A highlight of this year's event will include an effort to conjure up the DADA spirit of artist/poet/racounteur Bob Brannaman. Plus special surprise guest stars will be on hand to perform and add to the adventure.

General admission is $10; discounted admission for seniors, students and Beyond Baroque members is $5. Beyond Baroque Literary Arts Center is at 681 Venice Blvd., Venice, CA 90291, phone: 310-822-3006. For additional information and reservations, email info@threeroomspress.com.


About Maintenant 8

Maintenant 8: A Journal of Contemporary DaDa Writing and Art (Three Rooms Press, 2014) is the most recent installment of an annual series published since 2005. The current issue features work by Charles Plymell, Mike Watt, Grant Hart, Gerard Malanga, A.D. Winans, Jerome Rothenberg, John M. Bennett, S.A. Griffin, Claude Pelieu, Mary Beach, Allen Ginsberg, William Burroughs, Jean-Jacques Lebel, Joel Hubaut, Philip Meersman, Peter Waugh, Luc Fierens, Renaat Ramon, Patrice Lerochereuil and many more. Copies will be available for purchase at the event, and are available online at http://threeroomspress.com/authors/maintenant-dada-journal/


About Three Rooms Press

Three Rooms Press is a fiercely independent New York-based publisher inspired by dada, punk and passion. Founded in 1993, it serves as a leading independent publisher of cut-the-edge creative, including fiction, memoir, poetry translations, drama and art. In addition, Three Rooms Press produces and promotes a variety of literary and cultural events in New York, London, Paris, Berlin, Brussels, Los Angeles, San Francisco, and more, including readings, plays, workshops and concerts. Three Rooms Press books are distributed in the U.S. and internationally by PGW/Perseus.

Sunday, May 4, 2014

May 7: Dada Performance Salon in The Gallery at Le Poisson Rouge, NYC

Three Rooms Press presents Part 2 of the 7th Annual


NYC Dada Poetry and Performance Salon

featuring the NYC launch of

Maintenant 8: A Journal of Contemporary Dada Writing and Art 

PLUS 

Silent Auction of Original Drawing by French/American Artist MARY BEACH

Wednesday, May 7, 7 pm in The Gallery at Le Poisson Rouge

Admission free 
 Modern day Dada poets, collagists, performers and artists are creating disruptive, controversial and thrilling works that continue the spirit of the avant garde art movement sprung from the horror of World War I. Their work will be featured the 2nd of two NYC Dada Poetry and Performance Salons on May 7 in The Gallery at Le Poisson Rouge. Additional information and reservations: info@threeroomspress.com. Costumes encouraged! 

The event will feature readings and performances by Los Angeles-based performance artist Doug Knott, British-American sound-visual poet Jane Ormerod, world-renowned beat-jazz poet Steve Dalachinsky, DADA-NYC founders Robert Hieger and Joanie Hieger Fritz Zosike, the Dude of Dada Peter Carlaftes, art by avant-garde photographer Philip Scalia plus a silent auction of original artwork by famed French/American artist Mary Beach.

Original drawing by Mary Beach to be auctioned 5/7 About the SILENT AUCTION of Mary Beach original artwork

ORIGINAL DRAWING by MARY BEACH (1989) will be available at Silent Auction on Wednesday May 7th at The Gallery @LPR (7-9:30pm). Three Rooms Press is excited and honored to present this rare opportunity to own an original work of art from one of the most accomplished women artists of the latter-part of the 20th Century. The bidding will start at $500. Claude Pélieu and Mary Beach met in 1962 and, until Claude's unfortunate passing in December of 2002, shared an exemplary rich and creative life. Traveling extensively while living primarily in Paris, New York and San Francisco, their existence was a bohemian adventure during which they ceaselessly explored and continuously created: With a keen and graceful eye they deconstruct, critique and reinterpret the classical and contemporary worlds of art and media, while creating striking new works of wit and beauty -- drawing subconscious associations that are both mysterious and poetic. Long hailed in Claude's native France as the natural inheritors of the Surrealist legacy (a direct line has been drawn by French critics from Picasso and Braque to Schwitters and Duchamp to Warhol and Pélieu), their works are highly prized and respected. However, in Mary's native America, the pair remains relatively unknown, their work still awaits discovery by both mainstream critics and collectors. Additional information about Claude Pélieu and Mary Beach here.

Maintenant 8: A Journal of Contemporary Dada Writing and ArtAbout MAINTENANT 8: A Journal of Contemporary Dada Writing and Art

A stunning annual collection of contemporary Dada writing and art by an international array of sensational artists. Provocative, disruptive and essential for collectors of contemporary radical art. Maintenant 8: A Journal of Contemporary Dada Writing & Art (ISBN: 978-0-9895125-1-0, Three Rooms Press, $15.95) is the seventh edition of an annual collection of contemporary Dada work inspired by Dada instigator and Three Rooms Press spiritual advisor Arthur Cravan. Since 2008, the Three Rooms Press series has collected outsider art, poetry, mail art, collages and more from around the world. Maintenant 8 features art and visual poetry by a wide range of internationally recognized creators and provocateurs including William S. Burroughs, Jerome Rothenberg, Charles Plymell, Grant Hart, Mike Watt, Exene Cervenka, Pontus Carle, Irene Caesar, Volodymyr Bilyk, John M. Bennett, Giovanni Fontana, S.A. Griffin, Fausto Grossi, Patrice Lerochereuil, Gerard Malanga, Kazunori Murakami, Paolo Pelosini, Johan Reisser, Poul Weile and many more. The series has been recognized worldwide as a leading source of contemporary Dada art and writing, with editors invited to present material from the journal with contributors at events in New York, Los Angeles, London, Paris and Berlin.

What the heck is Dada?

The original Dada movement peaked from 1916-1922, primarily involved visual arts, literature—poetry, art manifestoes, art theory—theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. In addition to being anti-war, dada was also anti-bourgeois and anarchist in nature.