Three Rooms Press: DT

Saturday, February 17, 2007

DT

Off now to the White Horse for a poetic encounter with Dylan Thomas. Depending on whom you believe, the White Horse was either his last stop before his final trip to St. Vincent's Hospital and subsequent death, or simply a favorite watering hole during DT's final DTs.

Regardless, his energy definitely exists in the place. Every time we go there, we feel inspired, even before the first ale is consumed. Can energy outlast a life? Does it exist at all? For answers, read Maureen Dowd's humorous op-ed column in today's New York Times. Regardless of her opinion, WE opine that there is definitely a creative aura at the White Horse. Maybe it drew Dylan Thomas there? His New York Sonoma...

Current favorite Dylan Thomas line from "Twenty Four Years":

I advance as long as forever is.

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Ism Is a Retrovirus

Inheriting Craziness is LIke a Soft Halo of Light

Thomas Fucaloro's spectacular first collection of poetry is a beautiful, raw, intense read. According to Emily Kagan Trenchard, curator of the louderARTS Project, "Thomas Fucaloro’s particular gift is to harness the crazed wisdom at the bottom of the bottle, to scrape a fleck of beauty from the underside of a binge, and to call madness by a name so familiar we can’t help but recognize it in ourselves." In these 57 poems, Fucaloro brings to light new angles of perception of madness, addiction and modern urban living. Each poem takes risks in form and content. As author Jon Sands notes, "To read Thomas is to literally discover each line with him. There's really nothing he won't say. He's as surprised as you are."

DRUNKYARD DOG

DrunkYard Dog by Peter Carlaftes is a collection by a new poetic master who has honed his intense, insightful and inspiring poetic voice on the playgrounds of the Bronx, and the bars of Manhattan. Tales of bartender blues and bliss, injected with hope in a mileau of madness swirl into a powerful poetic cocktail. Carlaftes offers a brilliant poetic voice, filled with drop-dead humor, searing insight and resilient originality, even while resonating with overtones of Bukowski, Baudelaire and Bogart.

TRIUMPH FOR RENT

Playwright Peter Carlaftes presents three compelling, funny and biting dramas in Triumph for Rent: Three Plays (Three Rooms Press, 182 pages, 2010). The plays include Spin-Dry: An hilarious wild ride through a 90s rehab center for celebrities; Hunger: inspired by the Knut Hamsun novel; and Frontier A-Go-Go, a time travel piece uniting the hippie 60s, nerd/rave 90s and techno future. "As with Strindberg, Beckett, or even Satre—Carlaftes' message seems to be something we intuit . . . like music." SF Weekly.

MARY ANDERSON'S ENCORE

In “Mary Anderson’s Encore,” award-winning international playwright Larry Myers explores the great American tragedienne, Mary Anderson, who skyrocketed to fame with her first role, and retired by age 30. Called by the New York Daily News “One of Off-Broadway’s wittiest & more prolific playwrights,” Myers’ works have been seen in Rome, Italy at Teatro Olimpico & Scotland’s Edinburgh Festival, as well as Anchorage, Pittsburgh, Philadelphia, Louisville, San Francisco & Los Angeles.