Anything but Britney...

If you're star-obsessed, but sick of Britney, here's an event for you: "Andy Warhol: In His Wake," a poetry-laced art opening celebrating the 20th anniversary of Warhol's death at The Carrozzini Von Buhler Gallery, 407 W. 13th Street (between 9th and Washington), on Thursday, Feb. 22nd. In addition to a group exhibition by Factory exes Ultra Violet, Taylor Mead, Billy Name and Ivy Nicholson, the event features poetry by Patricia Carragon, Taylor Mead, Star Black and the fabulous Jackie Sheeler (curator of the Pink Pony West Friday night series at Cornelia Street). The readings run from 6-7:30; the opening sprawls until 10. If Sienna Miller wasn't enough for you in "Factory Girl," get a whiff of the real thing.

In other news...Three Rooms Press hears rumors of a nationwide surge in female baldheads. Sinead O'Connor, you were so way ahead of your time!

Pictured: Andy Warhol, by Billy Name, photograph

When the going gets tough...

...the tough go to P.J. Clarke's. There's no better hamburger anywhere. Took a luscious bite of one today and--presto!--our worries were over! Not that there's much to complain of, in the relative scheme of the world. Maybe it's really just an excuse. "Oh, I feel bad. I've been treated unfairly. I better go to P.J. Clarke's..." Any old excuse can do--even hunger! This gem on 55th St. and 3rd Ave. is truly one of a kind. They are--to the hamburger--what Paris' divine Pierre Gagnaire is to French cooking. As our mother used to say, "If you're going to do something at all, do it right!" And, indeed they do.

P.S. If, for some unearthly reason, a member of your party does not eat hamburgers, the hidden treasure at P.J. Clarke's is the Fish and Chips, featuring a Flintsone sized portion of fish, cooked to a tender, juicy perfection in a crisp fried batter. A little vinegar and you feel almost as good as your friends eating their hamburgers.

Another day

Sometimes you wonder what the draw is of living in a big city. Then you step outside your humble abode, absorb some of that energy, get inspired and realize that even the most mundane task can be full of adventure. Going to the local deli to get the paper in the morning. Out there, the air is icy and the only people on the streets are attached to dog leashes. Except an idling black town car, sitting at the corner every morning at this time, rain or shine. Who are they waiting for? What benefit do they get for being endlessly prompt in the wee small pre-dawn hours? Is it worth it?

A burly middle-aged businessman, hair freshly showered, rushes out of a building and into the car. Shortly after it drives away, a sexy younger woman in high-heeled boots, long hair flowing from beneath her hooded parka, wanders out of the same door. She waves to an older woman up the street, who's walking a dog. Walks up, pets the dog. Surreptitiously passes something to the woman, then waves goodbye and wanders off. The woman with the dog goes into the door the other two just left. Hmm... Is there a story there, or what? Maybe it's just all coincidence. Maybe not...

DT

Off now to the White Horse for a poetic encounter with Dylan Thomas. Depending on whom you believe, the White Horse was either his last stop before his final trip to St. Vincent's Hospital and subsequent death, or simply a favorite watering hole during DT's final DTs.

Regardless, his energy definitely exists in the place. Every time we go there, we feel inspired, even before the first ale is consumed. Can energy outlast a life? Does it exist at all? For answers, read Maureen Dowd's humorous op-ed column in today's New York Times. Regardless of her opinion, WE opine that there is definitely a creative aura at the White Horse. Maybe it drew Dylan Thomas there? His New York Sonoma...

Current favorite Dylan Thomas line from "Twenty Four Years":

I advance as long as forever is.

It's all a matter of perspective (and snow)

Snow changes everthing. It makes even the mundane, even the ugly look beautiful and makes the beautiful look magical. To the left, the stairs down to a basement in New York. Looks scary, frightening. Like the steps to a dungeon. The steps to doom. "Down there?" the bewildered visitor asks. "You want me to go down there?" Images of torture chambers arise. Women in leather masks. Rusty chains on bloodied rings on the wall. A fingernail on the floor. Thumb screws. Socks with holes.
Then it snows and everything changes. Same steps, on the left look like they are leading to something magnificent! A heavenly wine celler well stocked with magnums of Château-neuf-du-Pape, cases of La Tâche 1990 and first-growth Bordeaux. A woodshop, filled with gorgeous, lovingly-made children's furniture. A poetry studio, where denizens of the local village gather to discuss history's finest penmen and women, as well as establish new works of art sure to outlast their lifetimes.

But--you say--(always one but-ter in every group)--but of course the perspective is different because it is a different image with snow. The snow changes more than just the perspective; it actually makes it a different PLACE.

Hmm... maybe that's why I missed it so much, and welcomed it this morning by walking in it for hours.

Banner Week

This was a banner week for Three Rooms Press. It started on Monday, when we discovered we'd won the pool at a local pub for the Super Bowl. Our numbers were 7 and 9, but we weren't sure which team had which number on Sunday, so when we wandered in Monday morning, all we knew is that we had a 50-50 chance of winning. Not bad these days. We asked Bob, the bartender, "Are we lucky?" He said, "Yes!" and handed us an envelope with what we assumed was $500. Wrong. It was twice that! What a trip! We immediately celebrated our good fortune with a leisurely lunch at that most-distinguished restaurant, The Pink Tea Cup. Lunch Special: Soup, salad, collard greens, black eyed peas, pepper steak AND dessert: $7.95. The rest of the week was more mild successes: a brother who snagged a great job at a large Public Radio station in L.A., Robert Burns singing and a big art show. But then it was Friday, and all broke loose.

On Friday, we discovered that myspace is not just for teenagers and child molesters. Here's what happened:

The Post announced on Friday that the band, Mnemonic Devices was playing in Brooklyn at Pete's Candy Store. In our punk rock days, we used to be pals with the MDs and, so we decided to confirm the story be checking out myspace to see if they had a website. They did! And it was amazing, because in their "friends" section, it was like a class reunion of sorts. Every other "friend" was someone we used to hang out with it the distant and more recent past. We spent much of Friday and all day yesterday writing to people that we haven't seen for 20 years. Most of the time, it was just guesses as to whether or not the "friends" were actual acquaintences. Was "Sonja the Red Haired Menace" actually THE Sonja that we went to Austin with a few times? Turns out, she was! How about Monte Vista: was that Tom, the lead singer of first rate lounge act lovingkindness? Sure nuff! It was a dream come true. How often we've thought about these people, with no way of getting in touch with them, due to lost address books, and the moving shuffle so many have gone through. Pictured here is "ours truly", left, with the lovely former lead singer of the Mnemonic Devices (and a hell of a fiddle player), Ann DeJarnett, in Austin, circa 1988; those were the days when we both had legs!

The funniest thing is--the band that was said to be playing in Brooklyn wasn't even the same band, just the same name.

Robert Burns update

The Robert Burns festival continued last night with magnificent fervor!

Linda prepared an amazing feast of a sausage-carrot-cabbage collage, strawberries with chocolate and hot toddies with GlenFiddich: "the malt that wounds." But the food was secondary to the words of the master--especially his songs.

Burns was the Neil Young of his day and age, penning verses that could either be read or sung. And sung they were--and sung they are--you can find numerous versions of his poem/songs on I-tunes, including a hardcore Pouges-like rendition of "Red, Red Rose" by Bob Hay and the Jolly Beggars, to many great versions of "The Banks of' Bonie Doon" (spelled 14 different ways!). The latter we sung at our meeting--before, during and after the meal. It's such a sad, beautiful song:


Ye banks and braes o' bonie Doon,
How can ye bloom sae fresh and fair?
How can ye chant, ye little birds,
And I sae weary fu' o' care!
Thou'll break my heart, thou warbling bird,
That wantons thro' the flowering thorn:
Thou minds me o' departed joys,
Departed never to return.

Aft hae I rov'd by Bonie Doon,
To see the rose and woodbine twine:
And ilka bird sang o' its Luve,
And fondly sae did I o' mine;
Wi' lightsome heart I pu'd a rose,
Fu' sweet upon its thorny tree!
And may fause Luver staw my rose,
But ah! he left the thorn wi' me.

Kind of makes you wonder, though, if Burns wrote this version of it (there are 3) for a woman to sing, or if this hard-drinking womanizer had a secret life that didn't require child support payments (see last line of second stanza).

Afterwards, still singing, we wandered a few blocks to the art opening at the Salmagundi Club, to take on a BIG art opening featuing 48 painters. You get 48 painters together, you got a crowd. You get their friends too and you have a HUGE crowd! It was packed and full of good vibes. Highlights for me included a giant (16' x 6') brand new painting by Charles Yoder of a forest glen, which invites the eye to wander through it's parts and whole for hours. Also interesting work by John Bowman and Anne Shostrom, plus a really amazing ink and watercolor piece by Pier Consagra feature mad satyrs galavanting about (possibly in a forest glen). The show is open daily from 1:00 to 5:00 p.m. at 47 5th Avenue.