Three Rooms Press: Things I learned in college

Sunday, December 17, 2006

Things I learned in college

If you can listen to this--please do! It's a poem with music and hilarious. It is a response to the high-pitch, nasal, 3-year-old voices that seem to be common today among many women in their 20s and 30s. Walk on the street and you can hear it live. It is a symphony of sonic torture, and this is coming from a hard-core punk rock fan. The cause of this new source of audio immaturity is likely due to the imitation of digitally processed voices of tv commercials, computer games and cell phone vocal processing as opposed to any regional influence.

Things I learned in college.m4a

1 comment:

Karen said...: Whoa, major geometry homework. And I was excited that you knew how to get audio on your blog.; December 17, 2006 at 5:07 PM

Ism Is a Retrovirus

Inheriting Craziness is LIke a Soft Halo of Light

Thomas Fucaloro's spectacular first collection of poetry is a beautiful, raw, intense read. According to Emily Kagan Trenchard, curator of the louderARTS Project, "Thomas Fucaloro’s particular gift is to harness the crazed wisdom at the bottom of the bottle, to scrape a fleck of beauty from the underside of a binge, and to call madness by a name so familiar we can’t help but recognize it in ourselves." In these 57 poems, Fucaloro brings to light new angles of perception of madness, addiction and modern urban living. Each poem takes risks in form and content. As author Jon Sands notes, "To read Thomas is to literally discover each line with him. There's really nothing he won't say. He's as surprised as you are."

DRUNKYARD DOG

DrunkYard Dog by Peter Carlaftes is a collection by a new poetic master who has honed his intense, insightful and inspiring poetic voice on the playgrounds of the Bronx, and the bars of Manhattan. Tales of bartender blues and bliss, injected with hope in a mileau of madness swirl into a powerful poetic cocktail. Carlaftes offers a brilliant poetic voice, filled with drop-dead humor, searing insight and resilient originality, even while resonating with overtones of Bukowski, Baudelaire and Bogart.

TRIUMPH FOR RENT

Playwright Peter Carlaftes presents three compelling, funny and biting dramas in Triumph for Rent: Three Plays (Three Rooms Press, 182 pages, 2010). The plays include Spin-Dry: An hilarious wild ride through a 90s rehab center for celebrities; Hunger: inspired by the Knut Hamsun novel; and Frontier A-Go-Go, a time travel piece uniting the hippie 60s, nerd/rave 90s and techno future. "As with Strindberg, Beckett, or even Satre—Carlaftes' message seems to be something we intuit . . . like music." SF Weekly.

MARY ANDERSON'S ENCORE

In “Mary Anderson’s Encore,” award-winning international playwright Larry Myers explores the great American tragedienne, Mary Anderson, who skyrocketed to fame with her first role, and retired by age 30. Called by the New York Daily News “One of Off-Broadway’s wittiest & more prolific playwrights,” Myers’ works have been seen in Rome, Italy at Teatro Olimpico & Scotland’s Edinburgh Festival, as well as Anchorage, Pittsburgh, Philadelphia, Louisville, San Francisco & Los Angeles.